Dana L. Marker

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Crocodile Dundee in Los Angeles | ShotOnWhat?

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Crocodile Dundee in Los Angeles (2001)

Directed by: Simon Wincer

Cinematography by: David Burr

Edited by: Terry Blythe

What Women Want | ShotOnWhat?

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What Women Want (2000)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

The Ladies Man | ShotOnWhat?

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The Ladies Man (2000)

Directed by: Reginald Hudlin

Cinematography by: Johnny E. Jensen

Edited by: Earl Watson

Snow Day | ShotOnWhat?

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Snow Day (2000)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Finfer

Mission: Impossible II | ShotOnWhat?

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Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Wonder Boys | ShotOnWhat?

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Wonder Boys (2000)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Rules of Engagement | ShotOnWhat?

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Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Sleepy Hollow | ShotOnWhat?

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Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Talented Mr. Ripley | ShotOnWhat?

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The Talented Mr. Ripley (1999)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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