Commissioning Editor: Arte G.e.i.e.
Triangle of Sadness (2022)
Directed by: Ruben Östlund
Cinematography by: Fredrik Wenzel
Associate Producer: Arte
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Co-producer: Arte
Victoria (2015)
Directed by: Sebastian Schipper
Cinematography by: Sturla Brandth Grøvlen
Edited by: Olivia Neergaard-Holm
Cameras: Canon EOS-C300 Camera
Representative: Arte GDE
Hysteria (2011)
Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory
Producer: Arte
Die Fremde (2010)
Directed by: Feo Aladag
Cinematography by: Judith Kaufmann
Edited by: Andrea Mertens
Co-producer: Groupe Grand Accord, Arte G.e.i.e.
Antichrist (2009)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Cameras: Phantom HD Camera, Red One Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Co-producer: Arte
The Lives of Others (2006)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Hagen Bogdanski
Edited by: Patricia Rommel
Cameras: ARRIFLEX 535 B Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Co-producer: Arte
Manderlay (2005)
Directed by: Lars von Trier
Cinematography by: Anthony Dod Mantle
Edited by: Molly Malene Stensgaard
Associate Producer
Don't Come Knocking (2005)
Directed by: Wim Wenders
Cinematography by: Franz Lustig
Co-producer: Arte
Sophie Scholl: The Final Days (2005)
Directed by: Marc Rothemund
Cinematography by: Martin Langer
Edited by: Hans Funck
Producer: Wdr
The Piano Player (1999)
Directed by: Rolf Schübel
Cinematography by: Edward Klosinski
Edited by: Ursula Höf
Producer: Arte
Run Lola Run (1998)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Mathilde Bonnefoy
Cameras: Moviecam Compact Camera
Co-producer
Beyond Silence (1996)
Directed by: Caroline Link
Cinematography by: Gernot Roll
Edited by: Patricia Rommel
