Re-recording Mixer
Dying Young (1991)
Directed by: Joel Schumacher
Cinematography by: Juan Ruiz Anchía
Sound Recordist
29th Street (1991)
Directed by: George Gallo
Cinematography by: Steven Fierberg
Edited by: Kaja Fehr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Re-recording Mixer
Off Limits (1988)
Directed by: Christopher Crowe
Cinematography by: David Gribble
Edited by: Douglas Ibold
Re-recording Mixer
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Re-recording Mixer
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Re-recording Mixer
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Re-recording Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Re-recording Mixer
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Sound Re-recordist
Highlander (1986)
Directed by: Russell Mulcahy
Cinematography by: Gerry Fisher
Edited by: Peter Honess
Re-recording Mixer
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Re-recording Mixer
Mischief (1985)
Directed by: Mel Damski
Cinematography by: Donald E. Thorin
Edited by: O. Nicholas Brown
Music Re-recording Mixer, Music Rerecording Mixer
Warning Sign (1985)
Directed by: Hal Barwood
Cinematography by: Dean Cundey
Edited by: Robert Lawrence
Re-recording Mixer
Unfaithfully Yours (1984)
Directed by: Howard Zieff
Cinematography by: David M. Walsh
Edited by: Sheldon Kahn
Re-recording Mixer
Revenge of the Nerds (1984)
Directed by: Jeff Kanew
Cinematography by: King Baggot
Edited by: Alan Balsam
Cameras: Panavision Cameras
Sound Recording Mixer
Two of a Kind (1983)
Directed by: John Herzfeld
Cinematography by: Fred J. Koenekamp
Edited by: Jack Hofstra
Re-recording Mixer
Kiss Me Goodbye (1982)
Directed by: Robert Mulligan
Cinematography by: Donald Peterman
Edited by: Sheldon Kahn
Cameras: Panavision Cameras
Re-recording Mixer
Six Pack (1982)
Directed by: Daniel Petrie
Cinematography by: Mario Tosi
Edited by: Rita Roland
Post-production Sound Mixer
The Unseen (1980)
Directed by: Danny Steinmann
Cinematography by: Roberto A. Quezada
Edited by: Jonathon Braun
