Re-recording Mixer
The Golden Bowl (2000)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: John David Allen
Re-recording Mixer
The End of the Affair (1999)
Directed by: Neil Jordan
Cinematography by: Roger Pratt
Edited by: Tony Lawson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Best Laid Plans (1999)
Directed by: Mike Barker
Cinematography by: Ben Seresin
Edited by: Sloane Klevin
Re-recording Mixer
Notting Hill (1999)
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Re-recording Mixer
Fear and Loathing in Las Vegas (1998)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Re-recording Mixer
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Re-recording Mixer
The Wings of the Dove (1997)
Directed by: Iain Softley
Cinematography by: Eduardo Serra
Edited by: Tariq Anwar
Cameras: ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
The Man Who Knew Too Little (1997)
Directed by: Jon Amiel
Cinematography by: Robert M. Stevens
Cameras: Panavision Cameras
Assistant Sound Re-recording Mixer
Hollow Reed (1996)
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Sue Wyatt
Re-recording Mixer
Hamlet (1996)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
Re-recording Mixer
Copycat (1995)
Directed by: Jon Amiel
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Assistant Dubbing Mixer
Feast of July (1995)
Directed by: Christopher Menaul
Cinematography by: Peter Sova
Edited by: Chris Wimble
Re-recording Mixer
Captives (1994)
Directed by: Angela Pope
Cinematography by: Remi Adefarasin
Edited by: Dave King
Assistant Dubbing Mixer
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Re-recording Mixer
A Good Man in Africa (1994)
Directed by: Bruce Beresford
Cinematography by: Andrzej Bartkowiak
Edited by: Jim Clark
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Assistant Sound Re-recordist
The Remains of the Day (1993)
Directed by: James Ivory
Cinematography by: Tony Pierce-Roberts
Edited by: Andrew Marcus
Re-recording Mixer
Much Ado About Nothing (1993)
Directed by: Kenneth Branagh
Cinematography by: Roger Lanser
Edited by: Andrew Marcus
Assistant Dubbing Mixer
Wuthering Heights (1992)
Directed by: Peter Kosminsky
Cinematography by: Mike Southon
Edited by: Tony Lawson
Cameras: ARRI Cameras
Re-recording Mixer
CrissCross (1992)
Directed by: Chris Menges
Cinematography by: Ivan Strasburg
Edited by: Tony Lawson
Re-recording Mixer
Blame It on the Bellboy (1992)
Directed by: Mark Herman
Cinematography by: Andrew Dunn
Edited by: Michael Ellis
Cameras: ARRIFLEX Camera
Assistant Sound Re-recording Mixer
Orlando (1992)
Directed by: Sally Potter
Cinematography by: Aleksey Rodionov
Edited by: Hervé Schneid
Re-recording Mixer
Twenty-One (1991)
Directed by: Don Boyd
Cinematography by: Keith Goddard
Edited by: David Spiers
Assistant Sound Mixer
Nuns on the Run (1990)
Directed by: Jonathan Lynn
Cinematography by: Michael Garfath
Edited by: David Martin
Assistant Dubbing Mixer
Henry V (1989)
Directed by: Kenneth Branagh
Cinematography by: Kenneth MacMillan
Edited by: Michael Bradsell
Re-recording Mixer
Jacknife (1989)
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras: ARRI Cameras
Re-recording Mixer
We're No Angels (1989)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Re-recording Mixer
Hamburger Hill (1987)
Directed by: John Irvin
Cinematography by: Peter MacDonald
Edited by: Peter Tanner
