Chaim Kantor

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Pollock | ShotOnWhat?

Camera Operator: August

Pollock (2000)

Directed by: Ed Harris

Cinematography by: Lisa Rinzler

Edited by: Kathryn Himoff

Cameras: Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

At First Sight | ShotOnWhat?

First Assistant Camera

At First Sight (1999)

Directed by: Irwin Winkler

Cinematography by: John Seale

Edited by: Julie Monroe

Arlington Road | ShotOnWhat?

First Assistant Camera: "c" Camera, Washington D.C.

Arlington Road (1999)

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Wild Things | ShotOnWhat?

First Assistant Cameraperson

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Independence Day | ShotOnWhat?

First Assistant Camera: New York

Independence Day (1996)

Directed by: Roland Emmerich

Cinematography by: Karl Walter Lindenlaub

Edited by: David Brenner

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Miracle on 34th Street | ShotOnWhat?

First Assistant Camera: "b" Camera, New York

Miracle on 34th Street (1994)

Directed by: Les Mayfield

Cinematography by: Julio Macat

Edited by: Raja Gosnell

The Paper | ShotOnWhat?

First Assistant Camera

The Paper (1994)

Directed by: Ron Howard

Cinematography by: John Seale

Edited by: Daniel P. Hanley, Mike Hill

The Cowboy Way | ShotOnWhat?

Camera Operator: Second Unit

The Cowboy Way (1994)

Directed by: Gregg Champion

Cinematography by: Dean Semler

Edited by: Michael Tronick

Fathers & Sons | ShotOnWhat?

First Assistant Camera

Fathers & Sons (1992)

Directed by: Paul Mones

Cinematography by: Ron Fortunato

The Hard Way | ShotOnWhat?

First Assistant Camera: Second Unit

The Hard Way (1991)

Directed by: John Badham

Cinematography by: Donald McAlpine, Robert Primes

Edited by: Tony Lombardo, Frank Morriss

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sea of Love | ShotOnWhat?

Second Assistant Camera: New York

Sea of Love (1989)

Directed by: Harold Becker

Cinematography by: Ronnie Taylor

Edited by: David Bretherton

Lock Up | ShotOnWhat?

Second Assistant Camera: New York

Lock Up (1989)

Directed by: John Flynn

Cinematography by: Donald E. Thorin

Edited by: Don Brochu, Robert A. Ferretti, Michael N. Knue, Barry B. Leirer

Cameras: Panavision Cameras

Arthur 2: On the Rocks | ShotOnWhat?

First Assistant Camera: New York

Arthur 2: On the Rocks (1988)

Directed by: Bud Yorkin

Cinematography by: Stephen H. Burum

Edited by: Michael Kahn

Bright Lights, Big City | ShotOnWhat?

Second Assistant Camera

Bright Lights, Big City (1988)

Directed by: James Bridges

Cinematography by: Gordon Willis

Edited by: George Berndt, John Bloom

The Pick-up Artist | ShotOnWhat?

Second Assistant Camera

The Pick-up Artist (1987)

Directed by: James Toback

Cinematography by: Gordon Willis

Edited by: David Bretherton, Angelo Corrao

Heartburn | ShotOnWhat?

Second Assistant Camera

Heartburn (1986)

Directed by: Mike Nichols

Cinematography by: Néstor Almendros

Edited by: Sam O'Steen

Prizzi's Honor | ShotOnWhat?

Second Assistant Camera: New York

Prizzi's Honor (1985)

Directed by: John Huston

Cinematography by: Andrzej Bartkowiak

Edited by: Kaja Fehr, Rudi Fehr

Witness | ShotOnWhat?

Second Assistant Cameraman

Witness (1985)

Directed by: Peter Weir

Cinematography by: John Seale

Edited by: Thom Noble

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