Digital Intermediate Assist
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Digital Intermediate Assist
Life Itself (2018)
Directed by: Dan Fogelman
Cinematography by: Brett Pawlak
Edited by: Julie Monroe
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Cooke Panchro/i Classic Lenses
Digital Intermediate Assist
My Friend Dahmer (2017)
Directed by: Marc Meyers
Cinematography by: Daniel Katz
Edited by: Jamie Kirkpatrick
Cameras: ARRI ALEXA XT Series Cameras
Digital Intermediate Assist: Light Iron
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Digital Intermediate Assist
The American Side (2016)
Directed by: Jenna Ricker
Cinematography by: Frank Barrera
Edited by: Robert Grigsby Wilson
Cameras: ARRI ALEXA Camera
Digital Intermediate Assist
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Conform Editor
Somewhere in the Middle (2015)
Directed by: Lanre Olabisi
Cinematography by: Piero Basso
Edited by: Alex Kopit
Cameras: ARRI ALEXA Camera
Conform Editor
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Digital Intermediate Assist
Kelly & Cal (2014)
Directed by: Jen McGowan
Cinematography by: Philip Lott
Edited by: David Hopper
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk V-Series Lenses
Editing System: Final Cut Pro Editing System
Digital Intermediate Editor
The Lifeguard (2013)
Directed by: Liz W. Garcia
Cinematography by: John Peters
Cameras: ARRI ALEXA Camera
Digital Intermediate Editor
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Dailies Producer
Begin Again (2013)
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Digital Dailies Lab Technician: Offhollywood
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Digital Dailies
The Music Never Stopped (2011)
Directed by: Jim Kohlberg
Cinematography by: Stephen Kazmierski
Edited by: Keith Reamer
