Digital Intermediate Account Executive
Lovelace (2013)
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Technical Consultant: Editing
Mean Creek (2004)
Directed by: Jacob Estes
Cinematography by: Sharone Meir
Edited by: Madeleine Gavin
Color Timer
First Time Felon (1997)
Directed by: Charles S. Dutton
Cinematography by: Jeffrey Jur
Edited by: Anthony Sherin
Color Timer
Cyber Bandits (1995)
Directed by: Erik Fleming
Cinematography by: Denis Maloney
Edited by: Rebecca Ross
Cameras: Panavision Cameras
Color Timer
Payback (1995)
Directed by: Anthony Hickox
Cinematography by: David Bridges
Edited by: Anita Brandt Burgoyne
Color Timer
Sleep with Me (1994)
Directed by: Rory Kelly
Cinematography by: Andrzej Sekula
Edited by: David Moritz
Color Timer
Stranger by Night (1994)
Directed by: Gregory Dark
Cinematography by: Wally Pfister
Edited by: James Avalon
Color Timer
Cabin Boy (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Color Timer
Return of the Living Dead III (1993)
Directed by: Brian Yuzna
Cinematography by: Gerry Lively
Edited by: Christopher Roth
Color Timer
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Color Timer
Midnight Edition (1993)
Directed by: Howard Libov
Cinematography by: Alik Sakharov
Edited by: Yosef Grunfeld
Color Timer
One False Move (1992)
Directed by: Carl Franklin
Cinematography by: James L. Carter
Edited by: Carole Kravetz Aykanian
Color Timer
Bad Lieutenant (1992)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Anthony Redman
Cameras: ARRIFLEX Camera
Color Timer
Me Myself and I (1992)
Directed by: Pablo Ferro
Cinematography by: Michael Sullivan
Edited by: Allen Ferro
Color Timer
Death Ring (1992)
Directed by: R.J. Kizer
Cinematography by: Glenn Kershaw
Edited by: Kim Secrist
Color Timer
Sexual Response (1992)
Directed by: Yaky Yosha
Cinematography by: Ilan Rosenberg
Edited by: David H. Lloyd
Cameras: ARRI Cameras
Color Timer
The Dead (1987)
Directed by: John Huston
Cinematography by: Fred Murphy
Edited by: Roberto Silvi
Cameras: Moviecam SuperAmerica Camera
Lenses: Zeiss Lenses
