Digital Compositor
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Digital Compositing: Titles, Cine Image
Stage Beauty (2004)
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
2D Compositor: Cineimage
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Title Layout
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Compositor: Titles, Cineimage / Digital Visual Effects Artist: Cineimage
Ali G Indahouse (2002)
Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight
Titles And Opticals
Gosford Park (2001)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Tim Squyres
Cameras: Panavision Panaflex Platinum Camera
Main Title Typographer: Cine Image
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Designer: Cine Image
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
