Titles: JCA
Looking for Eric (2009)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Optical Supervisor
The Last Sign (2005)
Directed by: Douglas Law
Cinematography by: Jean-Claude Larrieu
Optical Title Supervisor: Cineimage
Breakfast on Pluto (2005)
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Titles And Opticals Supervisor
The Long Weekend (2005)
Directed by: Pat Holden
Cinematography by: Brian Pearson
Edited by: Martin Brinkler
Optical Supervisor: Titles, Cine Image
Stage Beauty (2004)
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Titles And Opticals Supervisor
School for Seduction (2004)
Directed by: Sue Heel
Cinematography by: Tony Imi
Digital Coordinator: Cineimage / Digital Grader: Cineimage
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Optical Planning
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Optical Supervisor: Cineimage
Ali G Indahouse (2002)
Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight
Titles And Opticals
Gosford Park (2001)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Tim Squyres
Cameras: Panavision Panaflex Platinum Camera
Optical Coordinator
Chicken Run (2000)
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Digital/film Opticals
Gangster No. 1 (2000)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Cameras: Aaton Cameras, Panavision Cameras
Visual Effects Supervisor: Cine Image
Shadow of the Vampire (2000)
Directed by: E. Elias Merhige
Cinematography by: Lou Bogue
Edited by: Chris Wyatt
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Super Speed Lenses
Optical Crew: Cine Image
RKO 281 (1999)
Directed by: Benjamin Ross
Cinematography by: Mike Southon
Edited by: Alex Mackie
Optical Coordinator
The Loss of Sexual Innocence (1999)
Directed by: Mike Figgis
Cinematography by: Benoît Delhomme
Edited by: Matthew Wood
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
