Production Mastering Colorist
Monsters University (2013)
Directed by: Dan Scanlon
Edited by: Greg Snyder
Post-production Technical Support
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Camera Operator: Image Mastering
Presto (2008)
Directed by: Doug Sweetland
Edited by: Katherine Ringgold
Camera Operator: Image Mastering
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Digital Intermediate Colorist
The Good Life (2007)
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Colorist Assist
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Digital Colorist Assist
Fido (2006)
Directed by: Andrew Currie
Cinematography by: Jan Kiesser
Edited by: Roger Mattiussi
Coloring Assistant, Digital Intermediate Color Assistant
Bobby (2006)
Directed by: Emilio Estevez
Cinematography by: Michael Barrett
Edited by: Richard Chew
Digital Color Assist, Digital Intermediate Colorist Assist
Rescue Dawn (2006)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Digital Intermediate Color Assistant
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Digital Intermediate Colorist
The Astronaut Farmer (2006)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: James Haygood
Camera Supervisor
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Animation Camera Supervisor
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
