Marcus Eich

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All Quiet on the Western Front | ShotOnWhat?

Digital Compositor: Cine Chromatix

All Quiet on the Western Front (2022)

Directed by: Edward Berger

Cinematography by: James Friend

Edited by: Sven Budelmann

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

After Earth | ShotOnWhat?

Compositor: Pixomondo

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Ghostmaker | ShotOnWhat?

Visual Effects Artist

The Ghostmaker (2012)

Directed by: Mauro Borrelli

Cinematography by: Eric Gustavo Petersen

Edited by: Charles Bornstein, Daniel Capuzzi

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