Mario L. Cassar

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13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Set Dresser

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Devil's Double | ShotOnWhat?

Propman

The Devil's Double (2011)

Directed by: Lee Tamahori

Cinematography by: Sam McCurdy

Edited by: Luis Carballar

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Agora | ShotOnWhat?

Propman

Agora (2009)

Directed by: Alejandro Amenábar

Cinematography by: Xavi Giménez

Edited by: Nacho Ruiz Capillas

The Heir Apparent: Largo Winch | ShotOnWhat?

Electrician

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Munich | ShotOnWhat?

Props Electrician

Munich (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Moviola Editing System

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