Post-production Coordinator, Post-production Supervisor
The Best Offer (2013)
Directed by: Giuseppe Tornatore
Cinematography by: Fabio Zamarion
Edited by: Massimo Quaglia
Cameras: ARRI ALEXA Studio Camera, Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Post-production Supervisor
Il villaggio di cartone (2011)
Directed by: Ermanno Olmi
Cinematography by: Fabio Olmi
Edited by: Paolo Cottignola
Cameras: ARRI ARRIFLEX Series Cameras, ARRI Cameras
Post-production Supervisor
Baciami ancora (2010)
Directed by: Gabriele Muccino
Cinematography by: Arnaldo Catinari
Edited by: Claudio Di Mauro
Post-production Supervisor
Basilicata Coast to Coast (2010)
Directed by: Rocco Papaleo
Cinematography by: Fabio Olmi
Edited by: Christian Lombardi
Post-production Coordinator
L'uomo che verrà (2009)
Directed by: Giorgio Diritti
Cinematography by: Roberto Cimatti
Post-production Supervisor
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
Post-production
Gomorrah (2008)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Post-production Coordinator - Segment "The Dangerous Thread Of Things", Post-production Supervisor
Eros (2004)
Edition
Primo amore (2004)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Post-production Coordinator
Liberi (2003)
Directed by: Gianluca Maria Tavarelli
Cinematography by: Roberto Forza
Edited by: Marco Spoletini
Post Production
Cantando dietro i paraventi (2003)
Directed by: Ermanno Olmi
Cinematography by: Fabio Olmi
Edited by: Paolo Cottignola
Assistant Editor
Remember Me, My Love (2003)
Directed by: Gabriele Muccino
Cinematography by: Marcello Montarsi
Edited by: Claudio Di Mauro
Post-production Supervisor
Malèna (2000)
Directed by: Giuseppe Tornatore
Cinematography by: Lajos Koltai
Edited by: Massimo Quaglia
Cameras: Panavision Cameras
