Second Assistant Camera: Re-shoots
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Second Assistant Camera: "a" Camera, Los Angeles
The Promotion (2008)
Directed by: Steve Conrad
Cinematography by: Lawrence Sher
Second Assistant Camera
Step Brothers (2008)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Second Assistant Camera
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Camera Loader
The Good German (2006)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Second Assistant Camera
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Second Assistant Camera: "b" Camera
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Camera Loader
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Camera Loader: USA
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Camera Loader
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Camera Loader
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Camera Loader: USA
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Camera Loader
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Second Assistant Camera
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin