Charles Leighton

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Second Act | ShotOnWhat?

Color Assistant

Second Act (2018)

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Hereditary | ShotOnWhat?

Digital Intermediate Color Assist

Hereditary (2018)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston, Jennifer Lame

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Primes Spherical Lenses

Girls Trip | ShotOnWhat?

Digital Intermediate Support Colorist

Girls Trip (2017)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

I Don't Feel at Home in This World Anymore | ShotOnWhat?

Color Assistant

I Don't Feel at Home in This World Anymore (2017)

Directed by: Macon Blair

Cinematography by: Larkin Seiple

Edited by: Tomas Vengris

Cameras: ARRI ALEXA Mini Camera

Lenses: Bausch & Lomb Super Baltar Lenses, Zeiss Super Speed Lenses

Day One | ShotOnWhat?

Color Assistant: Sixteen19

Day One (2015)

Directed by: Henry Hughes

Cinematography by: Kee Kyung

Edited by: Anisha Acharya

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