Digital Colorist
Sedona (2011)
Directed by: Tommy Stovall
Cinematography by: Rudy Harbon
Edited by: Tommy Stovall
Colorist
The Young Victoria (2009)
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Digital Color Timer
Serbian Scars (2009)
Directed by: Brent Huff
Cinematography by: Rudy Harbon
Edited by: Pete Sepenuk
Digital Color Timer
Jack and Jill vs. the World (2008)
Directed by: Vanessa Parise
Cinematography by: Manfred Guthe
Digital Color Timer
How to Be a Serial Killer (2008)
Directed by: Luke Ricci
Cinematography by: Hernan Otaño
Edited by: Todd Makurath
Digital Color Timer
Ping Pong Playa (2007)
Directed by: Jessica Yu
Cinematography by: Frank G. DeMarco
Edited by: Zene Baker
Colorist
A Streetcar Named Desire (1995)
Directed by: Glenn Jordan
Cinematography by: Ralf D. Bode
Edited by: David A. Simmons
Colorist
Shadowlands (1993)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Colorist
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Colorist
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Colorist
Captain Ron (1992)
Directed by: Thom Eberhardt
Cinematography by: Daryn Okada
Edited by: Tina Hirsch
Colorist
True Identity (1991)
Directed by: Charles Lane
Cinematography by: Thomas E. Ackerman
Edited by: Kent Beyda
Colorist
L.A. Takedown (1989)
Directed by: Michael Mann
Cinematography by: Ronald Víctor García
Edited by: Dov Hoenig
Colorist: Pristine Digital Restoration: Lowry Digital Images A DTS Company
On Her Majesty's Secret Service (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Colorist: Pristine Digital Restoration
Goldfinger (1964)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
