Rodolphe Fablet

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The Transporter Refueled | ShotOnWhat?

Assistant Editor

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Brick Mansions | ShotOnWhat?

Additional Assistant Editor

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Lucy | ShotOnWhat?

Assistant Visual Effects Editor

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

The Family | ShotOnWhat?

Assistant Editor

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Taken 2 | ShotOnWhat?

Trainee Assistant Editor

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

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