Sound Mixer: Second Unit
'Marco Polo' Hunter and the Sable Weaver (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Sound Mixer
Madeleine (2015)
Cinematography by: Federico Torres
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Final Cut Pro Editing System
Sound Mixer: Second Unit - 1 Episode, 2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Sound Recordist
Gingerclown (2013)
Directed by: Balázs Hatvani
Cinematography by: Péter Gráf
Edited by: Balázs Hatvani
Sound Recordist: Second Unit
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Sound
Álom.net (2009)
Directed by: Gábor Forgács
Cinematography by: Zsolt Tóth
Cameras: Red One Camera
Location Sound Mixer
The Tulse Luper Suitcases, Part 1: The Moab Story (2003)
Directed by: Peter Greenaway
Cinematography by: Reinier van Brummelen
Cameras: Sony HDW-F900 Camera
Location Sound Mixer: Second Unit
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Sound, Sound Engineer
Bánk bán (2002)
Directed by: Csaba Káel
Cinematography by: Vilmos Zsigmond
Edited by: Thomas Ernst
Music Recordist
The Phantom of the Opera (1998)
Directed by: Dario Argento
Cinematography by: Ronnie Taylor
Edited by: Anna Rosa Napoli
Sound Mixer: Budapest
San tau dip ying (1997)
Directed by: Teddy Chan
Cinematography by: Man Po Cheung
Cameras: ARRI Cameras
