Angel Askins

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Hit and Run | ShotOnWhat?

Digital Intermediate Producer

Hit and Run (2012)

Directed by: David Palmer, Dax Shepard

Cinematography by: Bradley Stonesifer

Edited by: Keith Croket, Dax Shepard

Cameras: ARRI Cameras

Robot & Frank | ShotOnWhat?

Digital Intermediate Producer

Robot & Frank (2012)

Directed by: Jake Schreier

Cinematography by: Matthew J. Lloyd

Edited by: Jacob Craycroft

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Savages | ShotOnWhat?

Digital Intermediate Producer

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Sessions | ShotOnWhat?

Digital Intermediate Producer: Company 3

The Sessions (2012)

Directed by: Ben Lewin

Cinematography by: Geoffrey Simpson

Edited by: Lisa Bromwell

Cameras: Red One MX Camera

Fright Night | ShotOnWhat?

Digital Intermediate Producer: 2D

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Judy Moody and the Not Bummer Summer | ShotOnWhat?

Digital Intermediate Producer

Judy Moody and the Not Bummer Summer (2011)

Directed by: John Schultz

Cinematography by: Shawn Maurer

Edited by: John Pace

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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