ARRILASER2 Film Recorder | 3 Titles
The Dark Horse (2014)
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Atlas Shrugged II: The Strike (2012)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
