Color Encoding - DI/Video Mastering Color Space » Rec. 2020 (D65) Mastering Color Space

Rec. 2020 (D65) Mastering Color Space | 3 Titles

Rate It

LessUpdatedTitleYear

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Deadpool (2016)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 108 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision Primo Primes Spherical Lenses

©2012 - 2025 ShotOnWhat?

20254.20