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Color Encoding – DI/Video Mastering Color Space

Color space for which the release has been mastered. Typically this is dictated by the calibration of the projector / monitor. This may be different from the distribution color encoding as is typically the case in Digital Cinema where content is often mastered for P3-DCI but distributed in X\’Y\’Z\’. Films may be mastered for multiple color spaces if there are multiple distribution mediums.