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Ultra Panavision Camera Aperture | 7 Titles

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Avengers: Endgame (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 181 Minutes

Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo

Cameras | ALEXA IMAX Camera

Lenses | Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Christopher Robin (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse

Starring | Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Khartoum (1966)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 128 Minutes

Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell

Starring | Charlton Heston, Laurence Olivier, Richard Johnson, Ralph Richardson

Cameras | Ultra Panavision 70 Camera

Battle of the Bulge (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 167 Minutes

Directed by | Ken Annakin | Cinematography by | Jack Hildyard

Starring | Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews

Cameras | Ultra Panavision 70 Camera

The Hateful Eight (2015)

Motion Picture | 2D | Color | 2.76:1 | 168 Minutes

Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin

Starring | Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins

Cameras | ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

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