Emeric Saint-Germain

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Wonder Woman 1984 | ShotOnWhat?

Matte Painter/environment Td: Framestore

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Avengers: Endgame | ShotOnWhat?

Matte Painter/environment Td: Framestore

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Downton Abbey | ShotOnWhat?

Matte Painter/environment Td: Framestore

Downton Abbey (2019)

Movie

Directed by: Michael Engler

Cinematography by: Ben Smithard

Edited by: Mark Day

Cameras: Sony Cameras, Sony CineAlta VENICE Camera

Lenses: Zeiss Supreme Prime 100mm T1.5 Lens, Zeiss Supreme Prime 21mm T1.5 Lens, Zeiss Supreme Prime 25mm T1.5 Lens, Zeiss Supreme Prime 29mm T1.5 Lens, Zeiss Supreme Prime 35mm T1.5 Lens, Zeiss Supreme Prime 50mm T1.5 Lens, Zeiss Supreme Prime 65mm T1.5 Lens, Zeiss Supreme Prime 85mm T1.5 Lens

Never Look Away | ShotOnWhat?

3d Artist: Goodbye Kansas Studios

Never Look Away (2018)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: Caleb Deschanel

Edited by: Patricia Rommel, Patrick Sanchez Smith

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

Suburbicon | ShotOnWhat?

3d Artist

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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