Oliver Couch

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Empire of Light | ShotOnWhat?

Rigging Electrician

Empire of Light (2022)

Movie

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA LF Camera

Lenses: ARRI Signature Prime Lenses, Cooke S7/i Lenses

No Time to Die | ShotOnWhat?

Overlord | ShotOnWhat?

Underwater Gaffer

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

You Were Never Really Here | ShotOnWhat?

Electrician Underwater Unit: Additional Photography

You Were Never Really Here (2017)

Directed by: Lynne Ramsay

Cinematography by: Thomas Townend

Edited by: Joe Bini

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Paddington 2 | ShotOnWhat?

Underwater Electrician

Paddington 2 (2017)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Jonathan Amos, Mark Everson

Cameras: ARRI ALEXA Series Cameras

Mechanic: Resurrection | ShotOnWhat?

Underwater Electrician

Mechanic: Resurrection (2016)

Directed by: Dennis Gansel

Cinematography by: Daniel Gottschalk

Edited by: Ueli Christen, Michael J. Duthie, Todd E. Miller

Cameras: Red Epic Camera, Red Scarlet Camera

Under the Skin | ShotOnWhat?

Electrician: Underwater Shoot

Under the Skin (2013)

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

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