Production Executive
Honey, I Shrunk the Kids (1989)
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Associate Production Executive
D.O.A. (1988)
Cinematography by: Yuri Neyman
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Associate Production Executive
Ernest Saves Christmas (1988)
Directed by: John R. Cherry III
Cinematography by: Peter Stein
Edited by: Sharyn L. Ross
Cameras: Panavision Cameras
Associate Production Executive
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Associate Production Executive
Hello Again (1987)
Directed by: Frank Perry
Cinematography by: Jan Weincke
Associate Production Executive
Good Morning, Vietnam (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Associate Production Executive
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Associate Production Executive
Adventures in Babysitting (1987)
Directed by: Chris Columbus
Cinematography by: Ric Waite
Associate Production Executive
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Extras Wrangler
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
