Transportation Driver
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Set Dressing: Louisiana
Starbright (2019)
Directed by: Francesco Lucente
Cinematography by: Francesco Di Giacomo
Edited by: Julia Furch
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Driver
The Beguiled (2017)
Directed by: Sofia Coppola
Cinematography by: Philippe Le Sourd
Edited by: Sarah Flack
Cameras: ARRICAM Lite (LT) Camera
Driver
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Driver
Pitch Perfect (2012)
Directed by: Jason Moore
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA Camera
Driver
Creature (2011)
Directed by: Fred Andrews
Cinematography by: Christopher Faloona
Edited by: Chris Conlee
Van Captain
Autopsy (2008)
Directed by: Adam Gierasch
Cinematography by: Anthony B. Richmond
Edited by: Andrew Cohen
