Isabelle Querrioux

13 Titles

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Lucy | ShotOnWhat?

Script Supervisor

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

The Family | ShotOnWhat?

Script Supervisor

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Un bonheur n'arrive jamais seul | ShotOnWhat?

Script Supervisor

Un bonheur n'arrive jamais seul (2012)

Directed by: James Huth

Cinematography by: Stéphane Le Parc

Edited by: Joëlle Hache

Nous York | ShotOnWhat?

Script Supervisor

Nous York (2012)

Directed by: Hervé Mimran, Géraldine Nakache

Cinematography by: Stéphane Le Parc

Edited by: Benjamin Weill

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Lady | ShotOnWhat?

Script Supervisor

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Les petits mouchoirs | ShotOnWhat?

Script Supervisor

Les petits mouchoirs (2010)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

From Paris with Love | ShotOnWhat?

Script Supervisor

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Script Supervisor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Script Supervisor

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Tell No One | ShotOnWhat?

Script Supervisor

Tell No One (2006)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Before Sunset | ShotOnWhat?

Script Supervisor

Before Sunset (2004)

Directed by: Richard Linklater

Cinematography by: Lee Daniel

Edited by: Sandra Adair

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ripoux 3 | ShotOnWhat?

Script Supervisor

Ripoux 3 (2003)

Directed by: Claude Zidi

Cinematography by: Gérard de Battista

Edited by: Nicole Saunier

Asterix and Obelix vs. Caesar | ShotOnWhat?

Script Supervisor

Asterix and Obelix vs. Caesar (1999)

Directed by: Claude Zidi

Cinematography by: Tony Pierce-Roberts

Edited by: Hervé de Luze, Nicole Saunier

Cameras: Panavision Cameras

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