Additional Electrician
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Electrician
Under the Silver Lake (2018)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio C. Perez IV
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4/i Lenses
Rigging Electric
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Set Lighting Technician - 1 Episode, 2016
Ice (2016)
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Set Lighting Technician
'Ice' Hyenas (2016)
Directed by: Antoine Fuqua
Cinematography by: Maz Makhani
Lamp Operator
'Better Things' Only Women Bleed (2016)
Directed by: Pamela Adlon
Cinematography by: Paul Koestner
Edited by: Gina Sansom
Lamp Operator
'Better Things' Hair of the Dog (2016)
Directed by: Nisha Ganatra
Cinematography by: Nancy Schreiber
Edited by: Gina Sansom
Set Dresser
Red Sands (2009)
Directed by: Alex Turner
Cinematography by: Sean O'Dea
Edited by: Alexis Spraic
