Derek Hoffman

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Ghost in the Shell | ShotOnWhat?

Lighting Console Programmer: Additional Photography

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Huntsman: Winter's War | ShotOnWhat?

Lighting Console Programmer: Additional Photography

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Cake | ShotOnWhat?

Electric

Cake (2014)

Directed by: Daniel Barnz

Cinematography by: Rachel Morrison

Edited by: Kristina Boden, Michelle Harrison

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Truth About Emanuel | ShotOnWhat?

Assistant Chief Lighting Technician

The Truth About Emanuel (2013)

Directed by: Francesca Gregorini

Cinematography by: Polly Morgan

Edited by: Antony Langdon

Cameras: ARRI ALEXA Camera

Filly Brown | ShotOnWhat?

Best Boy Electric

Filly Brown (2012)

Directed by: Youssef Delara, Michael D. Olmos

Cinematography by: Ben Kufrin

Edited by: Eric R. Brodeur, Youssef Delara

Cameras: Red One MX Camera

Lenses: Zeiss Lenses

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