Norman Aaronson

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The Irishman | ShotOnWhat?

Government Attorney

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Editing System: Lightworks Editing System

Beyond the Night | ShotOnWhat?

Pallbearer

Beyond the Night (2018)

Directed by: Jason Noto

Cinematography by: Daniel Sharnoff

Edited by: Kathryn J. Schubert

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA SXT Plus Camera

Lenses: Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens

Cold in July | ShotOnWhat?

Old Man With Cane

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

We Are What We Are | ShotOnWhat?

Townsperson

We Are What We Are (2013)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: Jim Mickle

Cameras: Red Epic Camera

Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses

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