Mark Holman Harris

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Hotel Mumbai | ShotOnWhat?

Digital Compositor

Hotel Mumbai (2018)

Directed by: Anthony Maras

Cinematography by: Nick Remy Matthews

Edited by: Anthony Maras, Peter McNulty

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses

The Nice Guys | ShotOnWhat?

Senior Compositor

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Son of a Gun | ShotOnWhat?

Visual Effects Supervisor: Kojo

Son of a Gun (2014)

Directed by: Julius Avery

Cinematography by: Nigel Bluck

Edited by: Jack Hutchings

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Lenses

Wolf Creek 2 | ShotOnWhat?

Compositing Supervisor: Kojo

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

The Lucky One | ShotOnWhat?

Visual Effects Artist

The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

Crawlspace | ShotOnWhat?

Visual Effects Supervisor

Crawlspace (2012)

Directed by: Justin Dix

Cinematography by: Simon Ozolins

Edited by: Dave Redman

Cameras: Red One Camera

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