Sandra Jelmini

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When in Rome | ShotOnWhat?

Art Department Coordinator

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Letters to Juliet | ShotOnWhat?

Art Department Coordinator

Letters to Juliet (2010)

Directed by: Gary Winick

Cinematography by: Marco Pontecorvo

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Mission: Impossible III | ShotOnWhat?

Art Department Coordinator

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Dominion: Prequel to the Exorcist | ShotOnWhat?

Art Department Coordinator

Dominion: Prequel to the Exorcist (2005)

Directed by: Paul Schrader

Cinematography by: Vittorio Storaro

Edited by: Tim Silano, William Yeh

Ocean's Twelve | ShotOnWhat?

Art Department Coordinator: Rome

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

The Life Aquatic with Steve Zissou | ShotOnWhat?

Art Department Coordinator

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

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