Script Supervisor
'Andi Mack' It's Not About You (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Script Supervisor
'Andi Mack' Terms of Embarrassment (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Script Supervisor
'Andi Mack' Were We Ever? (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Script Supervisor
'Andi Mack' Home Away from Home (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Script Supervisor
'Andi Mack' Best Surprise Ever (2017)
Directed by: Vanessa Parise
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Script Supervisor
'Andi Mack' Friends Like These (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Jane Choi
Script Supervisor
'Andi Mack' Chinese New Year (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Script Supervisor - 7 Episodes, 2017
Andi Mack (2017)
Directed by: Paul Hoen, Joe Menendez, Michelle Manning, Eyal Gordin, Adam Weissman, Michael Grossman, Jerry O'Connell, Vanessa Parise, David Warren, David Kendall, Charles Minsky, Kenny Ortega, Brent Geisler, Leslie Kolins Small, Aprill Winney
Cinematography by: Matthew Williams
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Script Supervisor
The Giver (2014)
Directed by: Phillip Noyce
Cinematography by: Ross Emery
Edited by: Barry Alexander Brown
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Script Supervisor: Second Unit
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Script Supervisor
17 Miracles (2011)
Directed by: T.C. Christensen
Cinematography by: T.C. Christensen
Edited by: Tanner Christensen
Cameras: ARRIFLEX 16SR Camera, ARRIFLEX 435 Camera
Script Supervisor
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Script Supervisor
Dadnapped (2009)
Directed by: Paul Hoen
Cinematography by: David A. Makin
Edited by: Terry Stokes
Script Supervisor
High School Musical 3: Senior Year (2008)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Don Brochu
Script Supervisor
Minutemen (2008)
Directed by: Lev L. Spiro
Cinematography by: Bruce Douglas Johnson
Edited by: Mark Conte
Script Supervisor
High School Musical 2 (2007)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Seth Flaum
Script Supervisor
Halloweentown High (2004)
Directed by: Mark A.Z. Dippé
Cinematography by: Robert Seaman
Edited by: Terry Blythe
Script Supervisor
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
Script Supervisor
Friendship's Field (1995)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Cameras: ARRIFLEX 35 BL4s Camera
Script Supervisor
A Friend to Die For (1994)
Directed by: William A. Graham
Cinematography by: Robert Steadman
Edited by: Lance Luckey
Script Supervisor
Ed and His Dead Mother (1993)
Directed by: Jonathan Wacks
Cinematography by: Francis Kenny
Edited by: Lisa Day
Script Supervisor
Nudist Colony of the Dead (1991)
Directed by: Mark Pirro
Cinematography by: Craig Bassuk
