Script Supervisor
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Script Supervisor
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Script Supervisor
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Second Unit Script Supervisor: NY
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Script Supervisor
Begin Again (2013)
Directed by: John Carney
Cinematography by: Yaron Orbach
Edited by: Andrew Marcus
Cameras: Red Epic Camera
Editing System: Adobe Premiere Editing System
Script Supervisor
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Additional Script Supervisor
Notorious (2009)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Script Supervisor
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Additional Script Supervisor
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Script Supervisor
Adrift in Manhattan (2007)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: John Foster
Edited by: John Coniglio
Script Supervisor
Dedication (2007)
Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir
Script Supervisor
The Killing of John Lennon (2006)
Directed by: Andrew Piddington
Cinematography by: Roger Eaton
Edited by: Tony Palmer
Script Supervisor
Just Like the Son (2006)
Directed by: Morgan J. Freeman
Cinematography by: Yaron Orbach
Edited by: Sloane Klevin
Script Supervisor: Second Unit
Empire (2002)
Directed by: Franc. Reyes
Cinematography by: Kramer Morgenthau
Edited by: Peter C. Frank
Script Supervisor
Crooks (2002)
Directed by: Paul Battista
Cinematography by: Mark Smith
Edited by: Duncan Burns
Cameras: Sony HDW-F900 Camera
