Re-recording Mixer
Some Kind of Heaven (2020)
Directed by: Lance Oppenheim
Cinematography by: David Bolen
Cameras: ARRI ALEXA Mini Camera
Adr Editor / Co-supervising Sound Editor / Dialogue Editor
Dragged Across Concrete (2018)
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Assistant Sound Editor
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Assistant Sound Editor
Cutie and the Boxer (2013)
Directed by: Zachary Heinzerling
Cinematography by: Zachary Heinzerling
Edited by: David Teague
Adr Mixer / Sound Intern
Red Hook Summer (2012)
Directed by: Spike Lee
Cinematography by: Kerwin DeVonish
Edited by: Hye Mee Na
Cameras: Sony PMW-F3 Camera
Sound Intern
Robot & Frank (2012)
Directed by: Jake Schreier
Cinematography by: Matthew J. Lloyd
Edited by: Jacob Craycroft
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Sound Intern
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Sound Effects Editor
As Good as Dead (2010)
Directed by: Jonathan Mossek
Cinematography by: Frank Barrera
Dialogue Editor / Sound Effects Editor
Absolute Trust (2009)
Directed by: Harvey Mandlin
Cinematography by: Stephen Treadway
Edited by: Robert M. Reitano
