Christophe Ballu

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Big Bug | ShotOnWhat?

Construction Grip

Big Bug (2022)

Directed by: Jean-Pierre Jeunet

Cinematography by: Thomas Hardmeier

Edited by: Hervé Schneid

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

Dunkirk | ShotOnWhat?

Special Effects Assistant

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

La tête haute | ShotOnWhat?

Construction Coordinator, Le Menuisier

La tête haute (2015)

Directed by: Emmanuelle Bercot

Cinematography by: Guillaume Schiffman

Edited by: Julien Leloup

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Rust and Bone | ShotOnWhat?

Special Effects Assistant

Rust and Bone (2012)

Directed by: Jacques Audiard

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Holy Motors | ShotOnWhat?

Carpenter Tracer

Holy Motors (2012)

Directed by: Leos Carax

Cinematography by: Yves Cape, Caroline Champetier

Edited by: Nelly Quettier

Cameras: Red Epic Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Populaire | ShotOnWhat?

Special Effects Assistant

Populaire (2012)

Directed by: Régis Roinsard

Cinematography by: Guillaume Schiffman

Edited by: Laure Gardette, Sophie Reine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Rien à déclarer | ShotOnWhat?

Carpenter

Rien à déclarer (2010)

Directed by: Dany Boon

Cinematography by: Pierre Aïm

Edited by: Luc Barnier, Géraldine Rétif

Micmacs à tire-larigot | ShotOnWhat?

Carpenter

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Constructor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Constructor

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

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