Armin Möller
'SOKO Wismar' Der verlorene Sohn (2016)
Directed by: Steffi Doehlemann
Cinematography by: Jakob Ebert
Edited by: Ines Bluhm
Armin Möller
SOKO Wismar (2004)
Directed by: Oren Schmuckler, Alexander Sascha Thiel, Hans-Christoph Blumenberg, Dirk Pientka, Kerstin Ahlrichs, Bruno Grass, Steffi Doehlemann, Oliver Dommenget, Peter Altmann, Esther Wenger, Nils Willbrandt, Axel Bock, Marcus Ulbricht, Felix Herzogenrath, Peter Lichtefeld, Michaela Zschiechow, Kaethe Niemeyer, Samira Radsi, Janis Rattenni, Lars Jessen, Wolfgang Frank, Severin Lohmer
Cinematography by: Constantin Kesting, Klaus Liebertz, Jakob Ebert, Georgij Pestov, Voxi Bärenklau, Nicolai Kätsch, Tobias Platow, Oliver Sander, Andreas Tams, Marcus Kanter, Sabine Berchter, Eeva Fleig, Konstantin Kröning, Till Müller, Inka Sackenheim, Rudolf Schröder, Michael Tötter, Markus Fraunholz, Thomas C. Wagner, Bernhard Wagner, Florian Foest
Edited by: Ines Bluhm, Vessela Martschewski, Claudia Klook, Florentine Bruck, Ingo Ehrlich, Ingo Recker, Yvonne von Bechtolsheim, Esther Weinert, Christine Boock, Julia Dupuis, Christian Bolik, Lars Jordan, Grit Meyer, Gilda Rosskamp, Lars Späth, Dagmar Dick, Ann-Sophie Schweizer, Claudia Fröhlich, Christiane Fazlagic, Lawrence Tooley, Daniel Jakubowski, Jochen Retter
Angestellter Krematorium
Fickende Fische (2002)
Directed by: Almut Getto
Cinematography by: Andreas Höfer
Edited by: Ingo Ehrlich
Gerichtsvollzieher
Kai Rabe gegen die Vatikankiller (1998)
Directed by: Thomas Jahn
Cinematography by: Piotr Lenar
Edited by: Andrea Mertens
Lenses: Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
