Jimmy Spoard

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Licence to Kill | ShotOnWhat?

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Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Living Daylights | ShotOnWhat?

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The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A View to a Kill | ShotOnWhat?

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A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

Octopussy | ShotOnWhat?

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Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Clash of the Titans | ShotOnWhat?

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Clash of the Titans (1981)

Directed by: Desmond Davis

Cinematography by: Ted Moore

Edited by: Timothy Gee

For Your Eyes Only | ShotOnWhat?

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For Your Eyes Only (1981)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Moonraker | ShotOnWhat?

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Moonraker (1979)

Directed by: Lewis Gilbert

Cinematography by: Jean Tournier

Edited by: John Glen

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Superman | ShotOnWhat?

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Superman (1978)

Directed by: Richard Donner

Cinematography by: Geoffrey Unsworth

Edited by: Stuart Baird, Michael Ellis

Cameras: Panavision Silent Reflex PSR Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Moviola Editing System

The Spy Who Loved Me | ShotOnWhat?

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The Spy Who Loved Me (1977)

Directed by: Lewis Gilbert

Cinematography by: Claude Renoir

Edited by: John Glen

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

The Man with the Golden Gun | ShotOnWhat?

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The Man with the Golden Gun (1974)

Directed by: Guy Hamilton

Cinematography by: Ted Moore, Oswald Morris

Edited by: Raymond Poulton, John Shirley

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses: Panavision Super Speed Lenses

Frankenstein: The True Story | ShotOnWhat?

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Frankenstein: The True Story (1973)

Television Movie

Directed by: Jack Smight

Cinematography by: Arthur Ibbetson

Edited by: Richard Marden

Live and Let Die | ShotOnWhat?

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Live and Let Die (1973)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, Raymond Poulton, John Shirley

Cameras: ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200

Lenses: Panavision Super Speed Lenses

Diamonds Are Forever | ShotOnWhat?

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Diamonds Are Forever (1971)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, John W. Holmes

Cameras: ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses, Panavision Lenses

On Her Majesty's Secret Service | ShotOnWhat?

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On Her Majesty's Secret Service (1969)

Directed by: Peter R. Hunt

Cinematography by: Michael Reed

Edited by: John Glen

Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses

Battle of Britain | ShotOnWhat?

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Battle of Britain (1969)

Directed by: Guy Hamilton

Cinematography by: Freddie Young

Edited by: Bert Bates

Chitty Chitty Bang Bang | ShotOnWhat?

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Chitty Chitty Bang Bang (1968)

Directed by: Ken Hughes

Cinematography by: Christopher Challis

Edited by: John Shirley

Cameras: Super Panavision-70 Camera

You Only Live Twice | ShotOnWhat?

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You Only Live Twice (1967)

Directed by: Lewis Gilbert

Cinematography by: Freddie Young

Edited by: Thelma Connell

Cameras: Mitchell BNC Camera

Lenses: Panavision C Series Anamorphic Lenses

The Quiller Memorandum | ShotOnWhat?

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The Quiller Memorandum (1966)

Directed by: Michael Anderson

Cinematography by: Erwin Hillier

Edited by: Frederick Wilson

Thunderball | ShotOnWhat?

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Thunderball (1965)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Ernest Hosler

Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses: Panavision B Series Anamorphic Lenses

Goldfinger | ShotOnWhat?

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Goldfinger (1964)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

From Russia with Love | ShotOnWhat?

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From Russia with Love (1963)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

Dr. No | ShotOnWhat?

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Dr. No (1962)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

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