Alexis Mallard

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Grace of Monaco | ShotOnWhat?

Assistant Editor

Grace of Monaco (2014)

Directed by: Olivier Dahan

Cinematography by: Eric Gautier

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Anything for Alice | ShotOnWhat?

Assistant Editor

Anything for Alice (2014)

Directed by: Nicolas Cuche

Cinematography by: Guillaume Deffontaines

Edited by: Thierry Rouden

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

En solitaire | ShotOnWhat?

Visual Effects

En solitaire (2013)

Directed by: Christophe Offenstein

Cinematography by: Guillaume Schiffman

Edited by: Ruy Diaz, Véronique Lange

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Blood Ties | ShotOnWhat?

Trainee Editor

Blood Ties (2013)

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Des gens qui s'embrassent | ShotOnWhat?

Trainee Editor

Des gens qui s'embrassent (2013)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

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