Albert R. Broccoli

19 Titles

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GoldenEye | ShotOnWhat?

Consulting Producer, Presenter

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

Licence to Kill | ShotOnWhat?

Producer - Produced By

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Living Daylights | ShotOnWhat?

Presenter, Producer

The Living Daylights (1987)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: Peter Davies, John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A View to a Kill | ShotOnWhat?

Producer

A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

Octopussy | ShotOnWhat?

Producer - Produced By

Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

For Your Eyes Only | ShotOnWhat?

Producer - Produced By

For Your Eyes Only (1981)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Moonraker | ShotOnWhat?

Man At St. Marks Square, Producer - Produced By

Moonraker (1979)

Directed by: Lewis Gilbert

Cinematography by: Jean Tournier

Edited by: John Glen

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

The Spy Who Loved Me | ShotOnWhat?

Producer - Produced By, Tourist Sunbathing At Sardinian Poolside

The Spy Who Loved Me (1977)

Directed by: Lewis Gilbert

Cinematography by: Claude Renoir

Edited by: John Glen

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

The Man with the Golden Gun | ShotOnWhat?

Presenter, Producer

The Man with the Golden Gun (1974)

Directed by: Guy Hamilton

Cinematography by: Ted Moore, Oswald Morris

Edited by: Raymond Poulton, John Shirley

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses: Panavision Super Speed Lenses

Live and Let Die | ShotOnWhat?

Presenter, Producer

Live and Let Die (1973)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, Raymond Poulton, John Shirley

Cameras: ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200

Lenses: Panavision Super Speed Lenses

Diamonds Are Forever | ShotOnWhat?

Presenter, Producer

Diamonds Are Forever (1971)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, John W. Holmes

Cameras: ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses, Panavision Lenses

On Her Majesty's Secret Service | ShotOnWhat?

Producer - Produced By

On Her Majesty's Secret Service (1969)

Directed by: Peter R. Hunt

Cinematography by: Michael Reed

Edited by: John Glen

Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses

Chitty Chitty Bang Bang | ShotOnWhat?

Presenter, Producer

Chitty Chitty Bang Bang (1968)

Directed by: Ken Hughes

Cinematography by: Christopher Challis

Edited by: John Shirley

Cameras: Super Panavision-70 Camera

You Only Live Twice | ShotOnWhat?

Producer - Produced By

You Only Live Twice (1967)

Directed by: Lewis Gilbert

Cinematography by: Freddie Young

Edited by: Thelma Connell

Cameras: Mitchell BNC Camera

Lenses: Panavision C Series Anamorphic Lenses

Thunderball | ShotOnWhat?

Executive Producer

Thunderball (1965)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Ernest Hosler

Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses: Panavision B Series Anamorphic Lenses

Goldfinger | ShotOnWhat?

Producer - Produced By

Goldfinger (1964)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

From Russia with Love | ShotOnWhat?

Producer - Produced By

From Russia with Love (1963)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

Dr. No | ShotOnWhat?

Presenter , Producer

Dr. No (1962)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

The Black Swan | ShotOnWhat?

Assistant Director

The Black Swan (1942)

Directed by: Henry King

Cinematography by: Leon Shamroy

Edited by: Barbara McLean

Cameras: Technicolor Cameras

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