Director Of Photography: Model Unit
Longitude (2000)
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
Visual Effects Supervisor
Lighthouse (1999)
Directed by: Simon Hunter
Cinematography by: Tony Imi
Edited by: Paul Green
Visual Effects Supervisor
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Visual Effects Supervisor
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Optical Effects Consultant
Labyrinth (1986)
Directed by: Jim Henson
Cinematography by: Alex Thomson
Edited by: John Grover
Optical Effects: Optical Film Effects Limited
The Keep (1983)
Directed by: Michael Mann
Cinematography by: Alex Thomson
Cameras: ARRIFLEX 35 BL3 Camera
Opticals
The Great Muppet Caper (1981)
Directed by: Jim Henson
Cinematography by: Oswald Morris
Edited by: Ralph Kemplen
Special Opticals
Clash of the Titans (1981)
Directed by: Desmond Davis
Cinematography by: Ted Moore
Edited by: Timothy Gee
Creative Supervisor Of Optical Visual Effects
Superman (1978)
Directed by: Richard Donner
Cinematography by: Geoffrey Unsworth
Cameras: Panavision Silent Reflex PSR Camera
Editing System: Moviola Editing System
Opticals
The Man with the Golden Gun (1974)
Directed by: Guy Hamilton
Lenses: Panavision Super Speed Lenses
Optical Cinematography
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Visual Effects
On Her Majesty's Secret Service (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Visual Effects
Chitty Chitty Bang Bang (1968)
Directed by: Ken Hughes
Cinematography by: Christopher Challis
Edited by: John Shirley
Cameras: Super Panavision-70 Camera
Visual Effects
You Only Live Twice (1967)
Directed by: Lewis Gilbert
Cinematography by: Freddie Young
Edited by: Thelma Connell
Cameras: Mitchell BNC Camera
Visual Effects
Thunderball (1965)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Ernest Hosler
Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Visual Effects
Goldfinger (1964)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
Visual Effects
From Russia with Love (1963)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
Visual Effects
Dr. No (1962)
Directed by: Terence Young
Cinematography by: Ted Moore
Edited by: Peter R. Hunt
Cameras: Mitchell BNC Camera
