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Robert Brown

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Merlin of the Crystal Cave | ShotOnWhat?

Gorlois

Merlin of the Crystal Cave  (1991)

Directed by: Michael Darlow
Cinematography by: Peter Middleton
"Merlin of the Crystal Cave" The Return | ShotOnWhat?

Gorlois

'Merlin of the Crystal Cave' The Return  (1991)

Directed by: Michael Darlow
Cinematography by: Peter Middleton
"Merlin of the Crystal Cave" Reckoning | ShotOnWhat?

Gorlois

'Merlin of the Crystal Cave' Reckoning  (1991)

Directed by: Michael Darlow
Cinematography by: Peter Middleton
Licence to Kill | ShotOnWhat?

M

Licence to Kill  (1989)

Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Cameras: , ,
Lenses: ,
The Living Daylights | ShotOnWhat?

M

The Living Daylights  (1987)

Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Peter Davies, John Grover
Cameras: , ,
Lenses: ,
A View to a Kill | ShotOnWhat?

M

A View to a Kill  (1985)

Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Cameras: ,
Lenses:
Octopussy | ShotOnWhat?

M

Octopussy  (1983)

Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies, Henry Richardson
Cameras: , ,
Lenses: ,
Lion of the Desert | ShotOnWhat?

Al Fadeel

Lion of the Desert  (1980)

Directed by: Moustapha Akkad
Cinematography by: Jack Hildyard
Edited by: John Shirley
Cameras:
Lenses:
The Spy Who Loved Me | ShotOnWhat?

Admiral Hargreaves

The Spy Who Loved Me  (1977)

Directed by: Lewis Gilbert
Cinematography by: Claude Renoir
Edited by: John Glen
Cameras: , ,
Lenses: ,
Sink the Bismarck! | ShotOnWhat?

Gunnery Officer On 'King George V'

Sink the Bismarck!  (1960)

Directed by: Lewis Gilbert
Cinematography by: Christopher Challis
Edited by: Peter R. Hunt
Ben-Hur | ShotOnWhat?

Chief Of Rowers

Ben-Hur  (1959) oscar-icon

Directed by: William Wyler
Cinematography by: Robert Surtees
Edited by: John D. Dunning, Ralph E. Winters, Margaret Booth
Cameras:
Lenses: , ,
The Man Who Never Was | ShotOnWhat?

French

The Man Who Never Was  (1956)

Directed by: Ronald Neame
Cinematography by: Oswald Morris
Edited by: Peter Taylor
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