Philip Barberio

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Waxwork II: Lost in Time | ShotOnWhat?

Optical Line-up

Waxwork II: Lost in Time (1992)

Directed by: Anthony Hickox

Cinematography by: Gerry Lively

Edited by: Christopher Cibelli

The Abyss | ShotOnWhat?

Optical Line-up: DQI

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Big Business | ShotOnWhat?

Special Visual Effects

Big Business (1988)

Directed by: Jim Abrahams

Cinematography by: Dean Cundey

Edited by: Harry Keramidas

Ghostbusters | ShotOnWhat?

Optical Line-up: EEG

Ghostbusters (1984)

Directed by: Ivan Reitman

Cinematography by: László Kovács

Edited by: David E. Blewitt, Sheldon Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Optical Line-up: ILM

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Blade Runner | ShotOnWhat?

Optical Line-up: EEG

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Star Trek: The Motion Picture | ShotOnWhat?

Photographic Effects Camera

Star Trek: The Motion Picture (1979)

Directed by: Robert Wise

Cinematography by: Richard H. Kline

Edited by: Todd C. Ramsay

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