Post Sync Dialogue
Medicine Man (1992)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Edited by: Michael R. Miller
Cameras: Panavision Cameras
ADR Supervisor: Los Angeles
Basic Instinct (1992)
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Supervising Dialogue Editor
Ladybugs (1992)
Directed by: Sidney J. Furie
Cinematography by: Dan Burstall
Post Production Dialogue
Love Field (1992)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Post-production Dialogue
Scenes from a Mall (1991)
Directed by: Paul Mazursky
Cinematography by: Fred Murphy
Edited by: Stuart H. Pappé
Post-production Dialogue
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
Supervising Adr Editor
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Supervising Adr Editor
Hot to Trot (1988)
Directed by: Michael Dinner
Cinematography by: Victor J. Kemper
Cameras: Panavision Panaflex Gold Camera
Post-production Dialogue
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Post-production Dialogue
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Post-production Dialogue
Tin Men (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Vocal Effects Supervisor
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Adr Editor
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Vocal Effects Supervisor
Spaceballs (1987)
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Post-production Dialogue
Blue City (1986)
Directed by: Michelle Manning
Cinematography by: Steven Poster
Edited by: Ross Albert
Post-production Dialogue
8 Million Ways to Die (1986)
Directed by: Hal Ashby
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Post-production Dialogue
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Post-production Dialogue
Young Sherlock Holmes (1985)
Directed by: Barry Levinson
Cinematography by: Stephen Goldblatt
Edited by: Stu Linder
Adr Dialogue Editor
Swing Shift (1984)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Post-production Dialogue
The Big Chill (1983)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Adr Editor: Walla Works, Inc.
The Outsiders (1983)
Directed by: Francis Ford Coppola
Cinematography by: Stephen H. Burum
Post-production Dialogue
Class (1983)
Directed by: Lewis John Carlino
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Post-production Dialogue
Table for Five (1983)
Directed by: Robert Lieberman
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Post-production Dialogue
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Supervisor
The Border (1982)
Directed by: Tony Richardson
Cinematography by: Ric Waite
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Post-production Dialogue
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Supervising Adr Editor
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Dialogue Supervisor
Zorro: The Gay Blade (1981)
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
Dialogue Editor
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Supervising Dialogue Editor
Tarzan the Ape Man (1981)
Directed by: John Derek
Cinematography by: John Derek
Edited by: Jimmy Ling
Dialogue Editor
Cruising (1980)
Directed by: William Friedkin
Cinematography by: James A. Contner
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Dialogue Supervisor
The Final Countdown (1980)
Directed by: Don Taylor
Cinematography by: Victor J. Kemper
Edited by: Robert K. Lambert
Dialogue Editor
...and justice for all. (1979)
Directed by: Norman Jewison
Cinematography by: Victor J. Kemper
Edited by: John F. Burnett
Cameras: Panavision Cameras
