Aaron Anawalt

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Apollo 13 | ShotOnWhat?

Special Effects Crew

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Strange Days | ShotOnWhat?

Special Effects Crew

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Special Effects Crew

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

True Lies | ShotOnWhat?

Special Effects Crew

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Remains of the Day | ShotOnWhat?

On-set Sound Assistant

The Remains of the Day (1993)

Directed by: James Ivory

Cinematography by: Tony Pierce-Roberts

Edited by: Andrew Marcus

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