Supervising Sound Editor
I'm Off Then (2015)
Directed by: Julia von Heinz
Cinematography by: Felix Poplawsky
Lenses: Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Dialogue Editor
Türkisch für Anfänger (2012)
Directed by: Bora Dagtekin
Edited by: Charles Ladmiral
Cameras: ARRI ALEXA Camera
Dialogue Editor
Hell (2011)
Directed by: Tim Fehlbaum
Cinematography by: Markus Förderer
Edited by: Andreas Menn
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Dialogue Editor
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Foley Editor
Anonyma - Eine Frau in Berlin (2008)
Directed by: Max Färberböck
Cinematography by: Benedict Neuenfels
Edited by: Ewa J. Lind
Sound Effects Editor
Der rote Baron (2008)
Directed by: Nikolai Müllerschön
Cinematography by: Klaus Merkel
Sound Designer
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Foley Editor
The Thirteenth Floor (1999)
Directed by: Josef Rusnak
Cinematography by: Wedigo von Schultzendorff
Edited by: Henry Richardson
