Portrait Gallery/stills Photographer: Second Unit
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Still Photographer - 2 Episodes, 2022
The Sandman (2022)
Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat
Cameras: Red Monstro 8K Camera
Still Photographer 2nd Unit: Jamaica, Still Photographer: Second Unit, Jamaica
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Portrait Gallery Photographer
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Portrait Gallery Photographer
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Still Photographer - 5 Episodes, 2017
The White Princess (2017)
Cinematography by: Chris Seager
Cameras: ARRI ALEXA Plus Camera
Still Photographer
'The White Princess' Old Curses (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Still Photographer
'The White Princess' Two Kings (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Still Photographer
'The White Princess' English Blood on English Soil (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Still Photographer
'The White Princess' The Pretender (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Still Photographer
'The White Princess' Traitors (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Portrait Gallery Photographer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Stills Photographer: Second Unit
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Additional Stills Photographer
Austenland (2013)
Directed by: Jerusha Hess
Cinematography by: Larry Smith
Edited by: Nick Fenton
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Unit & Specials Photographer
Comes a Bright Day (2012)
Directed by: Simon Aboud
Cinematography by: John Lynch
Edited by: Gavin Buckley
Cameras: ARRI ALEXA Camera
Still Photographer
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Still Photographer
Boy A (2007)
Directed by: John Crowley
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: ARRIFLEX 416 Camera
