Digital Colorist, Digital Colourist
Run, Fat Boy, Run (2007)
Directed by: David Schwimmer
Cinematography by: Richard Greatrex
Edited by: Michael Parker
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Digital Colourist
Closure (2007)
Directed by: Dan Reed
Cinematography by: Chris Seager
Edited by: Ewa J. Lind
Digital Colourist
Fade to Black (2006)
Directed by: Oliver Parker
Cinematography by: John de Borman
Edited by: Guy Bensley
Digital Colourist
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Digital Colorist
(T)Raumschiff Surprise - Periode 1 (2004)
Directed by: Michael Herbig
Cinematography by: Stephan Schuh
Edited by: Alexander Dittner
Cameras: ARRIFLEX Camera
Digital Imaging Supervisor: Men In White Coats
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Visual Effects Scanning/recording
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
