Alexandra Mann

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Thoroughbreds | ShotOnWhat?

Set Dresser

Thoroughbreds (2017)

Directed by: Cory Finley

Cinematography by: Lyle Vincent

Edited by: Louise Ford

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Finest Hours | ShotOnWhat?

Buyer

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Ghostbusters | ShotOnWhat?

Buyer

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

The Express | ShotOnWhat?

Syracuse Fan

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

The Promotion | ShotOnWhat?

Grocery Shopper

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

Counting Backwards | ShotOnWhat?

Nurse

Counting Backwards (2007)

Directed by: Aprill Winney

Cinematography by: Joseph R. Fitzgerald

Edited by: Robin Gonsalves

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